Sympathy Quotes Loss Of Mother, Images

HEN , THE POLICE AND THE ALIEN SHIP: "Birds Flying"

In Mimesis, Auerbach argues that there or coexist two types of realism in Western literature: one more devoted to the everyday and the other a more abstract and ideal. Both in one as in the other, he says, comes from ancient Greek, a continuous transgression Aristotelian levels that divide the tragedy of the play, the top of the low. And that element, the mixture of styles, is for him an operation that goes-and defined-all realism.

What happens when the humor is mixed with "serious" and in any case, when the humor is corroded himself to retrace the daily life and at the same time, the genre of humor? Birds flying happens, the film Director Nestor Montalbano, starring Diego Capussoto , Luis Luque, Verónica Llinás, Juan Carlos Mesa and Alejandro Flechtner, among others.

descontracturar Birds flying everyday, understood in an almost cosmological and social animals, to transform it into art. Because it witnessed the invention of a parallel universe, the Las Pircas where regionalism exacerbated becomes a cliche from which reveals a common character device - for example, when introduced into the village and a musician Jujuy it puts in place a representative of the ancient Incas, but running ficus bought a craft fair, whose names are explained. Also, because it is the deconstruction of the landscape and culture of Las Sierras of Cordoba, Capilla del Monte on time, through the altered landscape of Mount birdie * that hangs over the people in the form of a dove of rock embedded in the mountains and through the use of UFO culture, the hippie, wave or artisans naturist area Uritorco as ways of life brought into crisis from its own morally indefensible. But mostly because, basically, the movie appeals to the use of birds flying piece as a kind of rhetoric that mutates along its course to account for the reality (the comic genre and present).

one hand, "birds fly" is the title of a song that was a hit of green lemons , former band of Joseph (Capussoto) and Miguel (Luque) and that the This action supports only the first. But that hit not only is one unknown to most of the protagonists, which reveals its paradoxical character, but also in a central dialog, Ruth (Miguel Llinás, and woman in fiction) reveals to Joseph that he first heard the track he was disgusting and it sucks that made her vomit, literally. The theme Thus a figure of humor about the film itself, with which it shares the title, but also via analogue describes the design principle that animates and gives all power to the film: laugh at the comedy film or In other words, make humor of humor. It is a question of making the code itself delirious humor as a genre film. Because everything is produced in an atmosphere of deep seriousness and everyday, even delirium. But also because the master writer / director is to deconstruct the tips of the popular comedy films by two procedures. On the one hand, a self-setting distance by grafting it absolutely dreamy and fantastic scenes, too artificial, hallucinated and brazen, that extend into the reality of the protagonists through the plain of the alteration of the landscape (the giant Cerro the bird) or exacerbated stereotypes that each represents, highlighting, permanently, his capacity total device in the midst of building that does not seek to resemble or reproduce reality as such, but use it to make a parallel universe. Hence, unlike the popular comedy films, there is no claim of identification with the characters, but start away from their immersion in the artificial atmosphere, however, there produce the maximum possible identification as social stereotypes. On the other, and in direct relation to the insistence of artifice, the script has a logic that recalls the popular Argentine films of the seventies, based on an argument that is supported by the break with verisimilitude in narrative progress: the sudden reappearance a distant cousin in a Buenos Aires bar only to tell him to go and live in Las Pircas, subsequent disillusionment of the protagonist with his life in the city and the image in my mind the words of the cousin who take the journey. Thus, the humor of humor laugh at all levels: from the film itself, gender and previous films.

On the other hand, all characters are "birds flying" about themselves like vultures waiting for a prey, you know, may not prove themselves at any time because there is always another bird the "monitors", although sometimes also accompanied them on the flight. In this "fauna," are words of Ruth, there are three large birds that may or may hint at that side where the humor mixed with seriousness at its maximum power: hen, the policewoman and the spacecraft. And here is how serious political and social criticism .

Chickens are the preferred prey of chintz abductions aliens performing in Las Pircas. At the end, we witness the transformation of a chicken abducted in a kind of prophet to all wildlife that tourist come to hear a message. What is that message? Everything is wrong, that things are becoming worse, there is a cosmic mess is going to lead to the end and we must change. The cackle of the hen that hypnotizes and draws applause from the crowd of tourists, and the image of Victor Hugo Morales, reflecting seriously about the event, send us back, directly, and political catastrofita discruso that in this media saturated. Become the crowing hen's prophetic speech introuduce through allegorical fragmentation of this media discourse that Ulrich Beck scored establishing global risk society, but in Argentina, in particular, is plagued by a destabilizing political resonance harvested from organs of power.

The power of the crow is also in the film, a glass perfect communicating with women police are looking for and go everywhere Colombian drug traffickers and suspected Joseph for having a jersey with Flag of that country only comes to town. So on one hand, it portrays the latent xenophobia, coupled with persecutory speech about safety and drugs permeate the company to lead it to a persecutory paranoia even in the quieter town of Las Sierras. Thus, the prophetic and doom cackling of the hen women serving in police and their deluded phone calls to a higher police authority happens to reports about the disaster that has become The Pircas and impossibilities to catch drug traffickers will always escape him, neglecting, sometimes the danger that lives in his own family when the child is pointing a gun. The policewoman is always a bird house that is starving and that becomes, unfortunately, a victim of his stare.
If society is permeated by the discourse of catastrophe, even one of the characters about to be abducted comes to shout: "Get me out of this fucking country" - also have their hope: the alien craft. It projects the most improbable fantasies about the possibility of intergalactic journey from childhood reminiscences to the figure of the mother or toys to the image that greets Peron on the balcony. Utopian projection is in that exchange, the beginning of a full life, a picture of disappointment ** humanity itself on its ability to which the film insists permanently through the violence that underlies the delirious humor through the hopeful image of a foreign ship of humanity itself a ride.

These birds are flying and one of the avatars in the chain of abstract realism that Auerbach Mimesis think and not afraid to link with some aspects of serious and comic-body-spirit displayed in Rabelais. Only in this case undermines the serious comedy, humor yourself and all of this social discourse. ***************

* The first time we went to Capilla del Monte, I was amazed to see how a small rock polished by wind erosion fairly clear-shaped shoe, condor, etc. by installing a circuit- long around tourism. The exacerbation of the "Hill the bird" in the landscape of Birds Flying is a symbolic exacerbation playing the tourist. **

Disenchantment also falls on the political discourse. At one point the film, Joseph must buy tickets to Las Pircas, but the bus company has no idea where is the place and does not make trip to it. So Cafiero appears in the role of business owner and begins to assume a political promise that "they are to solve problems for people." The fun explodes when, after searching the map and check the travel routes, it announced that it will leave on a road trip is not sure if it is 8, 10 or 50 miles from the Pircas. In this introduction to the film parodies Cafiero action-and policy-Peronist essentially always be about solutions, but never been able to convert, because all political project is in itself impossible. But it is also true that it corrodes the image of this policy, giving rise, again to bring out a disappointment under the mold of humor.

Snow Plow 2010 Honda Pilot

VALUES OF THE BEAST

Saturate literary contests in 2010 with text that was saved. So far I have found what they expected: I do not premiable. And this does not makes me sad and makes me happy. In short, it's like a double sense, because I do not know if that means that one writes trash or on the contrary, is so great that remains inaccessible even to the criteria of the notables. Therefore, the rejection produces two sentiments, as a threshold where the value of what I do is suspended and, therefore, experience is irrelevant contests and neutral.

Sensini, the character-and story Bolaño Bolaño'm not particularly partisan, but that story is very well-spent to win prizes and forget to make literature, for it has many times the same story and has been successful in various capacities at different competitions, and thus get the favor and grace of the jurors. If we want to win one of these awards, it would suffice, then write a single text and present it in slight variations of a few contests, depending on the acceptance or rejection of the jury. That is, only original text should change, he thought for a contest, and please a couple of readers that claim the ability to rescue the value of what is not. Maybe so, until we could succeed in making a fortune. Unless the original story is so bad to win any contest, and then we had not done more to prolong the failed to infinity. But it happens that we are not all about winning a contest or get a valuation or evanescent consecration by the mere fact of leaving the first or second or third or selected. What matters is producing books and publishing. In that order is impossible to edit and then write, even if the maximum of the spawn of the Beast. Also, I do not care to be editor, but sit in front of the computer and look-between lucid-how perplexed and the Beast breaks the language and takes it out in a flow of words and worlds which no body from the spine to the head stressed, to shake your entire common place, or at least leave with the vague feeling of being nothing more than a fleeting doubt the universe and sometimes not even that much or more than that: the whole truth.

is not, not, write to win a contest or to make the writing is valued by a contest. No. You must write out of sheer necessity of literary beast, and then attempting to tame or values \u200b\u200bthat can-or want. This does not mean that the issue in the literature have such a high profile as writing. As demonstrated by the counter in César Aira new life, publishing, the possibility of movement also depends on our history. Or as the prologue of The flamethrower, which is forced to defend simply posting to survive, because the writer's life depends on the issue of what does and no one should prevent you from living from their work.

Hence, it is impossible, though dispensable, at least for the Child C, do not try to resort to contests. They are one of the few options that fit to publish a book, that object auratic that still shines in our imagination as if it were only hope. It happens that it is impossible to reach the book, the Child Poverty original C, by their nature vital commoner who sets priorities within which the issue is an aristocratic taste that can only pay those who have money to spare or who decided to quit the life in order to be among the shelves of a bookstore. Because nothing can be at any price or there is no price he can afford. "Resorting to a publisher? With the shame and humiliation that is talking of a text! Not sucked! I pay as Arlt, or that if I do have some value, that someday, I want to edit it because they believe that worthwhile and without explanation or word uttered by me. See if you are handsome. And if not, is because this story does not deserve even go beyond a computer file. Because the writer is the indomitable beast of the literature and it needs time to be tamed. And that is why the actions and words of a writer are often misguided, indomitable, often misunderstood, because it encourages the Beast and then who the hell will want to publish?

Perhaps one of these days, decided to grant an award for Child C and paper publication of any of his books will be possible. Is viable, too, that someone simply decide to make an edit without any competition. It is even possible to earn some money to edit on their own some books, rarely happens, because the events presented to include editing as a prize and then not need to spend the money, if it is included - on something as trivial as editing, there are so many needs remain unmet. If that happens, we need to see to what extent there is a power of the Beast, to what extent it may or may not build and sustain a world and, therefore, find its value.

Although it is likely that none of this happens and the Beast is nothing more than babble blogista cyber or a file that will disintegrate just break the computer's hard disk. At least the latter two cases, free post and no one to ask for permission. Today, the blog and the computer files are the most self-publishing space. So that part or not of literary competitions, after all, is nothing more than a negligible experience that every writer can experiment to create history. Literature, as Borges tells us in "superstitious reader ethics" if it is fed by the Beast, can overcome any error or success attributed by others, because it will assert itself. Should say that may even exceed its publication, or non-publication as a book. And even the fact of winning or losing a competition or thousands of contests.

Shower Invitation Wording Breakfast At Tiffany's

We were a weak guys. About the Journal ANO RELEASED Education

Zero Education is an annual magazine for secondary students in the city of Lions, whose origin was associated with a fourth year humanities, promotion 1999.

Memories are reconstructed. Therefore, try or at least pretend to re-assemble some ways and scenes associated with that name, what does not in any way, closer to reality or truth of what happened, but quite the opposite: to use these scenes and ways to do something with them. Re-build.

In principle, the journal Education Zero proposal had emerged as the end of fourth year work, as it was thought that the formation of social communication must go through a stage in fourth graph, fifth radio and television in the sixth. I think the project was July, but I also remember that at that time formulated the contents in interdisciplinary work with language, research methodology and social work, so you may have emerged from that work in cooperation. And this was so to the point that some of the articles were the result of a work in some of these substances, if I remember correctly, which ultimately is a way to remember it, a group working on the issue of youth and alcohol in "social work" with Carina. Regarding the name, had proposed a number and that the board voted. I tend to attribute it to Mariana Valinotti, Carla Pandolfi and July. Some of them, I think, had proposed. In principle, earned its name because condensed opposite each other. On the one hand, zero education meant a starting place, boot, that was what defined our generation: we were the first who went from first to third year and were also the first that came to us first and sixth to seventh a second, we were the first who were in the polymodal and, therefore, the first ones that experienced the new education law Menem in all its stages.

But saying that, somehow, that direction was given sense that institutionally the name of the magazine from the cover, which was reproduced in human evolution, indicating or highlighting the idea of \u200b\u200bbeginning of a transformation hiding in the background what many analysts call the tricks culture of the weak. Usually this category is used for Latin American writers and intellectuals after the makeup disurso of power, in reality, they are attacking through the use of different strategies.

For us, the weak guinea pigs, as we called it, the change was understood as a grand experiment that we criticized a lot, especially because there were problems in the implementation and content. Two memories associated with it in order to understand. The first is that we three consecutive years, from third to fifth, the same contents of history: the industrial revolution (I think we specialists in the field) and neglect the contents of the history of Argentina and other revolutions. It is striking in the distance, I think now, that Menem full decade since the curricula, which came from the nation and from the Province, will focus both attention on a economic revolution is directly minimized or dismissed the importance of political revolutions such as French or May. I mean, is striking because during the rule of economy is priority to studies only economic and technological revolution, as if a perfect network between the educational project and the country and political. We were rotten re always seeing the same thing and well understood that the education they received was zero.

The second memory is that during those years we had to evaluate the project polymodal and criticism poured acid on some aspects that made us come into serious conflict with the authorities that we increperaron very angry. So, I mean that the name "zero education" in a kind of secret slang that we handled, showed quite the opposite of the idea from the cover and eventually became institutionally involved. Education was zero for us, and this is an almost exact image of our conversations, too, a form of hacking our way through the bushes and in a direction that we did not know what was, rather, as if from the zero point education was nothing more than to zero within a jungle thickets which became, at times, impossible to cut.
Whereupon detrás del nombre, aparentemente institucionalizado y positivo de la revista, a través de las tretas de los débiles conejitos con machetes entre la maleza de lo institucional, esgrimimos e impusimos una idea crítica de la política educativa camuflada en la ambigüedad del nombre. Nuestra generación sufrió y fue consciente de que los cambios de la reforma educativa no eran buenos. El nombre de esa revista; mejor dicho, la historia de ese nombre da cuenta de un estado de la educación en plena época menemista a partir del cual intentamos, desde nuestras imposibilidades, dejar siquiera un signo de lo que estaba ocurriendo. De modo que nosotros, adolescentes en aquel entonces, y algunos docentes como Julio o María Isabel, or Marta Costa, and Ana Nardi, among many I can not name, tried even to create a point of uncertainty. In this regard, it is not a minor detail that our course was also organized by the Lions in the demonstration against the privatization of universities that had been proposed as a project to cut public spending, condemning those who could not pay a fee in a Private to leave us without the right to education. Our course is moved through the city and moved to other courses, including the IPEM: to try to cut the route, from what we were deterred by the police, in protest against the project and saw the culmination of education drain which, although with serious problems that we warned, "was all we had and a high quality, out of some exceptions such as those narrated. Education is zero in the distance, small part of that history tied to the vicissitudes of history. And we were actors.

Greetings to all / as.
El Niño C.